Philip Sorenson teaches writing and literature in Chicago where he lives with his wife, Olivia Cronk, and their daughter. His poetry has most recently appeared in Deluge, Pelt, and Horse Less Review, among others. He is currently working on perversions/translations of Alfred de Musset's poetry and conjoined responses to John Carpenter’s The Thing and Georges Bataille’s “The Pineal Eye.” His first book is Of Embodies.

Like an army of flowering stones, Philip Sorenson’s Of Embodies evolves fixed positions into organic movement and marches straight into your open heart. These poems are the body and the text; the temple and a subject of discovery—their urgency manifesting itself in vanishing memory, actively decomposing letters, and what kind of material might survive you. These poems are interested in evidence, exact specimens, and wild living inquiry. Here there are indications of the inner workings of the earth, upsets, burials, blood, membranes, mouths, and “tongues learning to penetrate a word with the body to lean in and whisper but meaning is a fleeing.” Of Embodies was the Editor’s Choice pick for Rescue Press’ 2011 Black Box Poetry Prize. 

Selected Publications:

Action, Yes

Horse Less Review

Moria

Organism For Poetic Research

Strange Machine

Verse Daily

Other:

Goodreads

Safety Book Interview #22

Tallus, Or Scree